books, films

World Poetry Day: inVERSE – poetry in motion

inVERSE is a collection of five of the world’s oldest surviving poems, re-imagined for the 21st century through the medium of film. Filmed during lockdown 2020, the inVerse series is the brainchild of BAFTA nominated film maker Jack Jewers – the film director behind the award-winning adaptations of CJ Daugherty’s bestselling Night School series, published by Little Brown. The inVerse series also features narration from Adam Roche, host of the Secret History of Hollywood podcast.

Each short film takes a historical poem, ranging from 15,000 BC to 1,000 AD, as a prism through which to explore our modern world. Far from being dry, remote echoes of a long-gone age, each poem chosen for the collection feels like it could have been written yesterday, offering new meaning and a fresh perspective on some of the key global issues we face today.

Against the backdrop of lockdown and the pandemic, today’s gender and identity wars, the climate crisis, Europe’s refugee crisis, and the fight against racism, discrimination and inclusion, the films are perfect examples of the timelessness and universal significance of poetry, and the deep-rooted connections between past and present. It’s poetry – reimagined for the modern world.

The five films being released to mark World Poetry Day on Sunday 21st March are:

· Love Song – An Egyptian love poem written in 1400 BCE reveals a meditation on the meaning of relationship and gender in 2021.

A timeless declaration of love and desire, this poem feels as fresh today as it did when it was written – a long, long time ago. The imagery is strikingly sensual; how the narrator describes the sound of their true love’s voice as being like the taste of sweet wine; or wishing they were her very her clothes, so that they could forever be close to her body. It’s passionate, erotic, and quite beautiful

None of the couples you see in the film had met before they came into the studio on the bright, spring day on which it was filmed – with one exception. The older couple are Alfred and Leila Hoffman, who were 92 and 83 at the time of filming, who have been together for over 60 years. The velvet-voiced narration is provided by Adam Roche, host of the Secret History of Hollywood podcast – required listening for all classic movie fans.

· Long Wall A poem about loss and suffering from the Han Dynasty in China, opens up a conversation about Europe’s refugee crisis.

Jack Jewers says: The first time I read this anonymous poem – dating from the Han Dynasty in China, sometime around 120BCE – I was blown away by its age. How can a poem this rich and vivid be so old? The idea for this whole series of films grew from there. The poem conveys such poignant feelings of separation and loss that it seemed to be perfectly suited to a tale of refugees, far from home.
The refugee crisis is close to actress Sophia Eleni’s heart. Her mother fled the war in Cyprus in the mid-1970s, Most of the footage that ends the film was donated by the charity Refugee Rescue, who undertake tireless work saving desperate people at sea.

· My Heart Originating from ancient Mesopotamia, “My Heart Flutters Hastily” is a delightful reminder that those giddy, dizzy feelings you can get when you really like somebody are nothing new.

Originating from ancient Mesopotamia, “My Heart Flutters Hastily” is a delightful reminder that those giddy, dizzy feelings you can get when you really like somebody are nothing new. Whether it’s in a world of dating apps and socially-distanced love, or from a time that feels unimaginably distant, people have been falling in love the same way forever.

inVERSE started life in a world before anyone had ever heard the word ‘Covid’ and lockdown was something to do with home security. So when the world ground to a half in the spring of 2020, Jack had to find alternative ways of finishing the project. Working with Los Angeles-based actress Joanne Chew, Jack devised a method of directing over Zoom while she recorded the takes on her phone, as selfies. The result is the lightest of the five films, and the sweetest.

· The Look – A first century poem taken from Ovid’s Ars Amarosa is reimagined as a celebration of inclusivity and tolerance.

The Romans knew how to have a good time. The Look is an abridged version of ‘Take Care With How You Look,’ a chapter from Ars Amarosa (“The Art of Love”), by the poet Ovid. Its themes of rejecting false nostalgia about the past, and embracing the richness of the modern age, sounded to me like a celebration of inclusivity and tolerance. Of course, Ovid was writing about a very different age to our own, but the message holds as true today as it always has been. And what more fabulous harbingers this message than Drag Queens United?
This is the only INSIGHT short that was put together from found footage, rather than filmed specially for the series. The lovely, colourful, joyous shots of Drag Queens United were taken at Amsterdam Pride in 2017.

· The Dawn – The ancient Indian poet Kālidāsa’s Salutation to the Dawn transforms into a rallying cry for a better tomorrow led by young street protestors.

Considered the greatest poet of ancient India, Kālidāsa is a founding figure of world literature. And yet, a lot of mystery surrounds Kālidāsa. Some scholars even question whether he was a real person, suggesting instead that his work a kind of collected greatest hits of the ancient Sanskrit world. And perhaps it’s appropriate that such an inspiring poem was written by a semi-mythical figure. It sounds to me like a rallying cry for a better tomorrow. And who better to get that across than young street protestors?

‘Bullet time’ is an effect that makes objects and people look like they are frozen in thin air. Creating true bullet time requires two things we did not have – time and money. So instead, Jack took a low-fi approach. Aside from a few simple computer-generated touches to enhance the overall effect, everything you see is done for real. The protestors are all professional dancers, who had the strength and balance necessary to be able to keep still for extended periods of time – often in difficult and uncomfortable poses.

Jack Jewers is a filmmaker and writer. Passionate about telling stories in all media, his body of work crosses film, TV, and digital. His short films and web series have been shown in and out of competition at dozens of film and web festivals, including Cannes, New York, Washington D.C., Marseille, Dublin, and London’s FrightFest.

In 2014 he developed and directed Night School, a web series based on the popular young adult novels of the same name. It quickly grew from a couple of low-budget short films to become one of the highest-profile British web series to date. Jack’s numerous short films as director include the critically-acclaimed Shalom Kabul, a dark comedy based on the true story of the last two Jews of Afghanistan.

Jack has won several accolades for his film work, including an award from the Royal Television Society and a nomination for Best Short Film by BAFTA Wales. He has been invited to speak about his work at several major film and TV industry events, including Series Mania in Paris. Jack has also worked in advertising.

Through his production company, Queen Anne’s Revenge, Jack is currently in development on the fantasy TV series Whatever After, featuring Jessica Brown Findlay. He is also working on a small slate of feature film projects, including a thriller set in the international protest movement, entitled Generation Revolution.

Away from the cinema in all its forms, Jack has a deep interest in literature and history. He writes historical fiction, and is the co-founder of the publishing company Moonflower Books.

He lives near London with his wife, the author Christi Daugherty, a small menagerie of pets, and a friendly ghost. But that’s another story.

blog tour, books, reviews

Blog Tour: How Love Actually Ruined Christmas (or Colourful Narcotics) – Gary Raymond*

RARELY HAS THE POWER OF CINEMA BEEN FELT BY SO MANY, IN SUCH OPPOSING WAYS…

“Love Actually dulls the critical senses, making those susceptible to its hallucinogenic powers think they’ve seen a funny, warm-hearted, romantic film about the many complex manifestations of love. Colourful Narcotics. A perfect description of a bafflingly popular film.”

By any reasonable measurement, Love Actually is a bad movie. There are plenty of bad movies out there, but what gets under Gary Raymond’s skin here is that it seems to have tricked so many people into thinking it’s a good movie. In this hilarious, scene-by-scene analysis of the Christmas monolith that is Love Actually, Gary Raymond takes us through a suffocating quagmire of badly drawn characters, nonsensical plotlines, and open bigotry, to a climax of ill-conceived schmaltz.

How Love Actually Ruined Christmas (or Colourful Narcotics) is the definitive case against a terrible movie. With a foreword by Lisa Smithstead.

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Parthian Books WHSmith

Gary Raymond is a novelist, critic, editor, and broadcaster. He is presenter of The Review Show for BBC Radio Wales and editor of Wales Arts Review. He is a regular writer on film, music, literature, and theatre, and can often be heard on BBC Radio 3 and 4 as an arts commentator and reviewer. His novels include For Those Who Come After (Parthian, 2015), The Golden Orphans (Parthian, 2018), and the upcoming Angels of Cairo (Parthian, 2021).

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My thoughts:

Love Actually is the worst Christmas film ever, possibly one of the worst films. So I went into reading this knowing that I already agreed with the title – I refuse to sit through this deeply weird and very rubbish film every year.

Gary Raymond breaks down the film scene by scene and examines its lazy plotting, terrible script, casual misogyny and fatphobia, and the total lack of good jokes. The excellent actors are totally wasted on the ghastly plots, some of which never seem to actually go anywhere (poor Laura Linney).

I found myself nodding along to Raymond’s excellent dissection of this genuinely terrible film and wishing Richard Curtis had just done a Vicar of Dibley special instead.

An excellent book for anyone who likes film, Christmas and would rather poke themselves in the eye with a roast parsnip that sit through the drivel that is Love Actually again this Christmas. 2020 has been bad enough, do yourself a favour and watch literally anything else. Or read this book.


*I was kindly gifted a copy of this book in exchange for taking part in the blog tour but all opinions remain my own.

films, fun stuff, lifestyle, movie night, tv

Favourite Films for Cold Nights*

“Winter is coming” (in my best Sean Bean voice)

In winter I am even more of a homebody than the rest of the year and that’s saying something for this little couch dweller.

One of my favourite things to do when the wind is howling and it is inevitably raining, is to cosy up under a snuggly blanket with a supply of Diet Coke and snacks to watch some of my ultimate favourite films, most of which my husband has shockingly not seen. I will admit that these predominantly date back to my late 90s early 00s teen years, but that’s how a favourite is formed.

Obviously the best way to watch films like these is on a nice big TV screen (or at the cinema) with a bowl of popcorn and other snacks. If you’re thinking of upgrading your TV and making things more cinematic in time for winter, maybe have a look at the Oled Televisions from Panasonic. 

1

This is the best Shakespeare adaptation there is, I will brook no argument. It is also most people’s introduction to Heath Ledger, who gives an amazing energetic performance. It’s funny, a bit naughty, silly, passionate and just so entertaining. It’s also highly quotable. I have fond memories of the first time I watched this, and it’s tied very tightly to my teenage years.

2

Damn the man, save the Empire! A day in the life of an independent record store in a typical middle American town, staffed by teenagers and manager Joe, played by Anthony LaPaglia, who just wants to get through it. Superstar Rex Manning is due in, and Corey (Liv Tyler) is planning to seduce him, Debra’s life is in freefall, Eddie just wants to play records and smoke weed. All of the teen angst is fully on display here. But there are some hilarious scenes, such as when they wrangle a shoplifter, touching moments and a top notch cast. I quote bits of this all the time, and sing the various very 90s soundtrack hits while cleaning my flat

3

I have long classified this as a Christmas film – it starts on Christmas Eve and covers a year in the lives of a group of friends living in New York City’s Alphabet City, dealing with careers, relationships and AIDS. It’s also a musical. My husband hates it and makes me watch it alone. I have no idea why. I am a Rent Head and try to see it on stage regularly, which is tricky as it’s a bit of a cult hit in the UK and not many places seem willing to stage it. I bloody love it. I will sing along to every song, always cry at the saddest bit and can quote whole chunks of it. Oh, wait, maybe that’s his problem with it. I also wrote my MA dissertation to the soundtrack, thankfully none of the lyrics made their way onto the page, that would have been deeply confusing. No Day But Today!

4

This is a super cheesy ballet movie – I think I must have watched it hundreds of times but I couldn’t tell you the names of most of the characters. There’s a lot of dancing, Zoe Saldana plays that stereotype ‘the sassy black friend’, Peter Gallagher (Seth’s dad in The O.C) plays the grumpy ballet company manager, Amanda Schull plays the heroine who’s “too fat” according to some of the dancers, and a lot of the other characters are played by actual ballet dancers. There’s lovely Charlie, who she should fall for and ‘Big Nose’ as we called him aged 15, the bad boy of ballet who breaks her heart but also makes her an amazing dancer. The soundtrack is cracking, and the finale is choreographed to Michael Jackson. It’s a total B movie but it has a special place in my heart.

5

This is my official favourite film ever (Center Stage is my actual favourite) and it is the absolute sum of screwball comedies – Katherine Hepburn, Cary Grant, a leopard, witty crackling dialogue – who could ask for more? I don’t really think it has a plot, just lots of snappy talking and craziness involving big cats. I adore it. Plus Katherine Hepburn looks amazing in all her outfits.

6

I was born in the 1980s, so films like this weren’t exactly on my radar when they first appeared. But when I was at uni I watched this classic teen movie and fell in love. The smart writing, the characters, everything about John Hughes movies makes me feel safe and happy. Despite the occasional struggle the characters always resolve everything by the end of the film and the soundtrack is always amazing.

What are some of your favourite movies to curl up on the sofa and watch? Let me know in the comments.

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*This post contains sponsored or paid for content but all words and opinions are my own.

films, movie night, netflix, reviews

Random film review: Sisters

I thought that I’d share my thoughts on random films I watch late at night on Netflix. First up Sisters starring Tina Fey and Amy Poehler.

I have no recollection of this being released in cinemas but that’s pretty common as I don’t go very often.

In the film Fey and Poehler play sisters who return to their childhood home to clean out their (frankly enormous – it has 2 double beds) bedroom as their parents have sold the house.

It is very silly, they decide to throw a legendary party inviting all their old friends, who conveniently still all live locally even though Fey and Poehler don’t.

There are some very funny moments that made me laugh very loudly and some unnecessarily cringey ones (poor Ike Barinholtz) that could easily have been cut.

The film also plays like a who’s who of funny American women with Samantha Bee, Maya Rudolph, Kate McKinnon and a host of others popping up. An almost unrecognizable Dianne Wiest plays the mum.

Good points: funny, would definitely pass The Bechdel Test.

Bad points: #filmsowhite the only people of colour are some heavily stereotyped Korean nail salon workers. Fey does seem to struggle with POC in roles (she’s the film’s producer too). That really unnecessary gross out scene with Poehler and Barinholtz.

Worth watching? Yes for celeb spotting and the funny bits as well as the sisterly relationship which real life pals Fey and Poehler portray well.

Stars: 🌟🌟🌟

feminism, films, ramblings

Why I won’t be rushing to see the new Beauty & the Beast

I remember the animated version being released – I think I was 8. We went to see it at the cinema, I had a jumper with Belle’s face on it (My cousin had the exact same one – I think my grandparents bought them), I got the video for my birthday. 

I still have a soft spot for those animated classics, there’s a fair few in my DVD collection. Of the most recent ones I enjoyed Brave, Tangled, The Princess and the Frog, and even Frozen (I have some issues of its apparent origins being Hans Christian Andersen’s Snow Queen – a very different story.) 
However I haven’t seen any of the new “live action” films – not sure how that much CGI can be considered live. 

Pete’s Dragon is one of my favourite films and nothing will replace a cartoon dragon called Elliot for me – I saw some stills of the updated version – just no. 

A CGI Baloo just won’t cut it after the delights of the animated one and Cinderella has been done to death.

Emma Watson isn’t my ideal Belle, and that’s fine – can’t please anyone. But I saw a review calling it ‘authentic’, which I can’t agree with. 1. It’s set in France, so Belle and everyone else would speak French, 2. It’s a fable – it’s about vanity and love overcoming all odds. 3. The Beast – do I need to expand. 
Like most fairy tales this had a slightly darker heart originally, the Prince becomes a Beast because that’s what he is inside – vain, selfish, cruel, monstrous. He’s cursed to learn his lesson. But he doesn’t, he becomes even worse, hence the kidnapping of Belle’s father. 

The film versions do away with Belle’s sisters – who demand jewels and furs from their merchant father, while the youngest daughter requests a single perfect rose. There’s more than a little King Lear in this tale as the youngest daughter atones for her father’s crime. 

Watson has spoken about making the film more feminist – erm, it’s about a woman who sacrifices her freedom for her idiot father and is kept prisoner by a monster – feminism didn’t exist in 15th century France (or at all) and I just don’t get how you can make this story less twisted and more feminist while keeping that key storyline. 

Anyway, I know people are raving about how beautiful it is, how they’ve kept the songs (why no Angela Lansbury?) etc. But it just isn’t for me. Rather than keep doing this  (Mulan is up next – but with no songs, fingers crossed they at least cast Asian actors) why can’t Disney go back to making fun, musical animation? 
I hear Moana is brilliant and I will be watching that next. 

If you do want a Disney film where the female characters are aces, here’s a little list. 

⭐Brave ⭐Tangled ⭐Frozen ⭐Zootropolis ⭐Mulan ⭐Pocahontas ⭐Robin Hood (I defy you not to love Clucky) ⭐Bedknobs & Broomsticks (oh Angela Lansbury, I do think you’re marvellous) ⭐The Princess & the Frog ⭐

Let me know if I’ve missed any Disney heroines who deserve to be mentioned (tbh most of the traditional princesses are a bit hopeless). 

Are you going to see this new Beauty & the Beast? Or will you be watching the 90s classic for the millionth time like me.