Category: reviews

A compelling novel of female perseverance and the role of women in society set in the aftermath of the American Civil War. For readers of Tracey Chevalier and The Second Mrs Thistlewood

It is 1865, the American Civil War has just ended, and 18-year old Vita Tenney is determined to pursue her lifelong dream of becoming a country doctor like her father. But when her father tells her she must get married instead, Vita explores every means of escape – and finds one in the person of war veteran Jacob Culhane. Damaged by what he’s seen in battle and with all his family gone, Jacob is seeking investors for a fledgling business. Then he meets Vita – and together they hatch a plan that should satisfy both their desires.Months later, Vita seemingly has everything she ever wanted. But alone in a big city and haunted by the mistakes of her past, she wonders if the life she always thought she wanted was too good to be true. When love starts to compete with ambition, what will come out on top?

From the author of The Floating Theatre, The Physician’s Daughter is the story of two people trying to make their way in a world that is struggling to escape its past.

Martha Conway has been nominated for an Edgar Award and won the North American Book Award for Best Historical Fiction. She teaches creative writing for Stanford University’s Continuing Studies Program. Born in Cleveland, Ohio, she is one of seven sisters. She now lives in San Francisco with her family.

My thoughts: I really enjoyed this book, Vita was so determined and brave, striking out on her own – thinking that that was the only way to get to be a doctor. Jacob was equally determined to find her and support her – he didn’t want to hold her back or force her to be someone she wasn’t. I felt sorry for Mitty, her life wasn’t what she’d invisioned and it was only by following Vita’s example in the end that she got to use her brain again and engage with learning.

Women were so stifled, and banned from doing so much, the incredibly limited medical schools who would take female trainees, and even then only a handful. I know it was the same case here too – this ridiculous idea that women, who deal with blood and bodily fluids all the time (especially if they have children) would faint and be too delicate is absurd. Even now fewer women attend medical school – put off by the patriarchal medical establishment, told they’d be better off elsewhere. The old boys network has a lot to answer for. But reading this book, hearing Vita’s voice reminds me of all the incredibly brave, pioneering women who struck out and stuck up for themselves and forced society (and men) to see them as equals.

*I was kindly gifted a copy of this book in exchange for taking part in the blog tour but all opinions remain my own.

London, 1905. A show. A stuttering romance. Two squabbling actresses.
Is it Shakespeare? Is it Vaudeville?
Not quite. It is Mrs Morphett’s Macaroons, a satirical play about suffragettes which its creators – friends and would-be lovers Robbie Robinson and Violet Graham – are preparing to mount in London’s West End.
It is the play rival actresses Merry and Gaye would kill to be in, if only they hadn’t insulted the producer all those years ago.
For Robbie and Violet however the road to West End glory is not smooth. There are backers to be appeased, actors to be tamed and a theatre to be found; and in the midst of it all a budding romance that risks being undermined by professional differences.
Never mix business with pleasure?
Maybe, maybe not.
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Giveaway to Win an Ebook of short story anthology All We Need Is Love. (Open INT)

Patsy Trench has spent her life working in the theatre. She was an actress for twenty
years in theatre and television in the UK and Australia. She has written scripts for stage and (TV) screen and co-founded The Children’s Musical Theatre of London, creating original musicals with primary school children. She is the author of three non fiction books about colonial Australia based on her own family history and four novels about women breaking the mould in times past. Mrs Morphett’s Macaroons is book four in her ‘Modern Women: Entertaining Edwardians’ series and is
set in the world she knows and loves best. When she is not writing books she teaches theatre part- time and organises theatre trips for overseas students.
She lives in London. She has two children and so far one grandson.

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My thoughts: as a lifelong theatre nerd and feminist, this book appealed to me on several levels, both women’s history and theatrical history being things I will happily read about all day long. It was also very clever and funny, which was a bonus. We often think of Edwardians as being quite stuffy and traditional, women being confined to corsets and the house, but plenty of women were working – including as actresses and theatre producers.

And of course the 1900s saw the rise of women’s suffrage as a political cause, with the Pankhursts and Fawcetts at the forefront – both pop up in this story.

But the story belongs to Violet, Merry and Gaye (I have a great-great-aunt Gaye, who was an Edwardian, funny old world!) and to a lesser extent the other women who people it. All three are women making their own way in a world still hostile to the idea that a woman might want more than a husband and children. They’re living alone and making their own money, not relying on fathers or husbands to help them out. Not an easy thing to do, as Merry and Gaye discover as they try to make a go of their double act.

Violet, who once worked for the famous theatre producer Henry Beerbohm Tree, is a little in over her head but Robbie, who loves her, doesn’t really care, and she’s resourceful enough to pull it all together. As the old saying goes – it’ll be all right on the night!

Really enjoyable, funny but with a serious message at its core, this is a highly entertaining and thoughtful read.

*I was kindly gifted a copy of this book in exchange for taking part in the blog tour but all opinions remain my own.

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