blog tour, books, reviews

Blog Tour: City of Night Birds – Juhea Kim

A once-famous dancer faces a heartbreaking choice in this thrilling novel set in the cutthroat world of Russian ballet

‘Outside the rounded window of the plane, the lights of St Petersburg glimmer through the clouds… The city is utterly familiar and unknown at the same time; it is the face of someone you used to love…’

Prima ballerina Natalia Leonova was once celebrated across the world, her signature bravura in demand on stages from St Petersburg to Paris and New York. But at the peak of her career, a devastating accident forces her to retire.

Injured and alone, the ghosts of Natalia’s former life begin to resurface: her loving, but difficult mother, her impoverished childhood, the friendships destroyed by her single-minded ambition. Above all, she remembers the two gifted dancers, Dmitri and Alexander, who were responsible for her soaring highs, her darkest hours and, ultimately, her downfall. 

When Dmitri resurfaces with a tantalising offer for Natalia to make a comeback in her signature role of Giselle, she must decide whether she should risk everything for the chance to dance again.

Painting a captivating portrait of a world in which ruthless determination, romantic desire and sublime artistry collide, CITY OF NIGHT BIRDS unveils the making of a dancer with profound intimacy and breathtaking scope.   

Juhea Kim was born in South Korea, raised in Portland, Oregon and now lives in London. She is the author of the novel Beasts of a Little Land, (Oneworld 2021) which has sold over 20,000 copies. It won the Yasnaya Polyana Literary Award, Russia’s largest annual prize in literature, and was a finalist for the Dayton Literary Peace Prize. She received a BA in Art and Archaeology from Princeton University, and her writing has been published in Granta, The Times Literary Supplement, the Independent, Zyzzyva, Guernica and elsewhere. Ballet has been a passion all Juhea’s life. She studied ballet from the age of nine and took it up again while writing City of Night Birds.

My thoughts: This was so, so good. I was completely drawn into Natalia’s world, the rigidly controlled, intense world of Russian Ballet, the passions and jealousies, the complex and often messy relationships between the dancers and their art.

Looking back over her impoverished childhood, the strict training at the Mariinsky company and the heights of her career as a soloist at the Bolshoi and Paris ballet companies, Natalia (Natasha to her friends, in the Russian tradition), charts the friendships, rivalries and romances that she has never fully understood or emotionally dealt with, either on stage or off.

I am familiar with both St Petersburg and Moscow, as well as Paris, the locations Natalia lives and loves in. Her mother’s Soviet era crumbling apartment building, the opulence of the theatres where she performs, brought vividly to life through the incredible writing of Juhea Kim, detailed and compelling.

I am a huge ballet fan, and love books written about the art form – both fiction and non-fiction, but I think even someone with little or only a passing interest in dance would enjoy this for the very human emotions – set in juxtaposition to the rigidly enforced rules of Russian ballet. The characters are beautifully rendered, their claustrophobic world, where the only people they really see are other dancers, the quasi incestuous nature of their tangled relationships are just *chef’s kiss*

We’re only in January and already I know this is going to be a reading highlight of 2025 for me.

*I was kindly gifted a copy of this book in exchange for taking part in this blog tour, but all opinions remain my own.

ethics, life, theatre

The problem with access

I don’t post about this often but it’s been on my mind recently and it’s weighing me down.

I love the theatre and I love ballet, have done since I was tiny (expelled from ballet lessons aged 7 for wanting to do ‘real dancing’ not endless good toes, bad toes, expelled from drama class at 13 for being “too dramatic” – I kid you not).

But since meeting the Mr a serious question has arisen – why are so many arts spaces hostile to the disabled?

My Mr broke his back aged 21 falling from a window at a party, he had extensive spinal surgery and rehab, he now uses a wheelchair to get around as he is paralysed from the waist down (yes he can still have sex before you ask, no I won’t explain in detail).

He wasn’t a massive theatre goer before we got together 6 years ago, he’d been to a few musicals and some live comedy. I took him to his first festival, first Shakespeare play and first ballet.

Some arts venues are brilliant, super accommodating and helpful (the Lyric Hammersmith, whatever the Hammersmith Apollo is now called, the O2, and a few West End theatres can’t do enough), others are a bit of a pain (Barbican, with its annoying registration process for example) and others are just downright obstructive.

We went to Sadler’s Wells a few years ago to see Matthew Bourne’s Gothic Sleeping Beauty, he’s my favourite choreographer, and I was delighted. The Mr booked the tickets and while they were a bit useless about it, we did get sorted in the end.

Christmas 2014 – Bourne’s Edward Scissorhands is at Sadler’s Wells. I want to go, the Mr says he’ll book, a Christmas present.

We don’t go, because SW have decided people lie about needing a wheelchair space and they want proof – a very particular proof, that even Government agencies don’t ask for, before they’ll make any booking.

We complain, it’s a really obnoxious policy and the access manager isn’t much better. We can’t find the document they want, and no other, even a note from his GP will do.

Who lies about needing a wheelchair space? They’ll look incredibly stupid when they turn up and have to stand, as chairs are removed to make room. You just refuse them then or ask them to pay the full value, or whatever.

It’s a policy I’ve never come across before or since. But it basically says “ballet is not for you” to anyone ringing up.

Ballet gets a lot of stick for being elitist, something many companies and venues are trying to change so to have the dance venue in London behave like this is extraordinary.

This Christmas just gone Sleeping Beauty was back, we didn’t even discuss going, we saw Bill Bailey in the West End instead (he was brilliant and the theatre’s assistance excellence) but I did ring Sadler’s Wells and they still have this mad policy in place. Way to tell disabled dance fans you don’t want them cluttering up your audience.

ramblingmads

books, reviews

Book Review – Hope in a Ballet Shoe

image

Michaela DePrince is currently a dancer with the Dutch National Ballet, before that she was a ballet student in America, and before that she was an orphan in war-torn Sierra Leone.

As a little girl I wanted to be a ballerina, and although that never worked out, I still do the positions on Underground platforms and try to see as much ballet as I can afford.

Michaela wanted to be a ballerina too, but her journey would be long, hard and at times painful.

If you’ve seen the documentary First Position, you’ll recognise the teenage Michaela, one of the few black ballerinas around. She’s got a beautiful smile and dances wonderfully.

Her book takes you from the tragedy of her early years, orphaned by age 4, sold to an orphanage by her uncle, she witnessed the murder of her pregnant teacher and had to flee along with the other children to neighbouring Guinea. Throughout it all she clung to the dream of looking like the ballerina on the front of a magazine she found in the street.

She and her best friend were adopted by a white couple from America, became sisters and began to dance.

Her story is inspiring, heartbreaking and ultimately full of hope and joy.
I stayed up late reading it, not wanting to put it down, desperate to know whether she achieved her dream.

Written with her adoptive mother’s help, Michaela’s story is brilliant for reminding you that thinks can be achieved and if you work hard dreams happen.

image

ramblingmads